The Bay Area may be known for Silicon Valley’s innovations, but it was another breakthrough altogether that gave it a permanent spot on the international heavy-metal map: thrash.
The early years of such seminal local bands as Metallica, Exodus, Testament, Death Angel and Vio-lence — plus their Los Angeles brethren Megadeth and Slayer — are captured in the new photo book “Murder in the Front Row:
Shots From the Bay Area Thrash Metal Epicenter,” by Harald Oimoen and Brian Lew, out this week.
Oimoen and Lew’s snapshots reveal fresh-faced kids who worked hard onstage and played hard offstage. In one backyard shot, Metallica spits beer at Oimoen’s lens. In another, Exodus members balance light bulbs on their heads in bassist Gary Holt’s mom’s garage.
“One of the coolest, least known, and most unpublicized things about the Bay Area thrash metal scene back in the day has been the great brotherhood and camaraderie that was and is so prevalent,” Oimoen wrote in his introduction to the book. “There was no distinction between bands and fans like there is today.”
That camaraderie allowed Oimoen and Lew to get close to many bands and capture photos that couldn’t happen today — such as Metallica’s James Hetfield and Kirk Hammett lying side-by-side in bed with guitars, cigarettes and beer in their hands.
For many bands, the volume is a kind of yearbook of the early 1980s, said Death Angel singer Mark Osegueda. “I saw it at Kirk Hammett’s house — we sat and went through it for about an hour, and it brought back some memories of things we didn’t know were captured,” he said.
For the rest of the world, “Murder in the Front Row” is either a reminder of those times, or an introduction to the original thrash metal scene for a new generation of teens just discovering the genre. Serendipity led Lew and Oimoen to release the book now, just as Metallica and Slayer are celebrating their 30th anniversaries and toured with Anthrax and Testament this year.
“We’ve had these pictures for 30 years,” Lew said. “It’s better that we didn’t put the book out 10 or 15 years ago, because a lot of the younger metal bands are being influenced by the book the era covers.”
Outcasts latched onto thrash in the 1980s because it was the most aggressive music available, and fans today are looking for the same thing, according to Osegueda.
“I think it’s more viable now, ironically enough. Politically, the world’s in a state of utter chaos and turmoil, and that’s when this type of music seems to resonate,” he said. “This aggressive sound makes them feel like they’re getting something out of their system.”
By Harald Oimoen and Brian Lew
Publisher Bazillion Points